There's an old joke. Uh, two elderly women are at a Catskills mountain resort, and one of 'em says: "Boy, the food at this place is really terrible." The other one says, "Yeah, I know, and such ... small portions." Well, that's essentially how I feel about life. Full of loneliness and misery and suffering and unhappiness, and it's all over much too quickly.

The-the other important joke for me is one that's, uh, usually attributed to Groucho Marx, but I think it appears originally in Freud's wit and its relation to the unconscious. And it goes like this-I'm paraphrasing: Uh ... "I would never wanna belong to any club that would have someone like me for a member." That's the key joke of my adult life in terms of my relationships with women... 　

英语,美国口音.来自Woody Allen的<Annie Hall>的开场,Woody Allen在影片的开始讲了两个笑话,随影片的发展来看,这种感觉非常准确.
　

Asa Nisi Masa, Asa Nisi Masa,念出那句咒语,如果画像的眼睛随之而动,我们便注定富贵了...

意大利语.来自大师Federico Fellini的杰作<八又而分之一>.说起来有点复杂,asa nisi masa据说是意大利语灵魂(anima)一词的变形,也有人说是"心灵,精神,意识"的含义.这段台词在影片中的出现非常耐人寻味,评论界出现过许多种解析的方式,一直争论不休.

For a while there, you try kidding yourself that you're going with an unmarried man. Then one day he keeps looking at his watch, and asks you if there's any lipstick showing, then rushes off to catch the seven-fourteen to White Plains. So you fix yourself a cup of instant coffee... and you sit there by yourself... and you think... and it all begins to look so ugly ...

英语,美国口音.在美国人看来Billy Wilder是个写剧本的绝顶高手,他的台词准确而且富有幽默感,在五六十年代风靡一时.这段台词来自Billy Wilder的<the Apartment>,是"不小心"做了别人情妇的纯洁女士在抱怨自己的愚蠢.很有时代特色,哦?

moi? Je ne suis pas INFAME. Je suis UNE FEMME.

法语.是Jean-Luc Godard的作品<une femme est une femme>的最后一句台词.Godard在这里玩了个文字游戏,我听了好久才听出来是infâme这个词,和英语里的infame拼法很像,意思也相同.女孩的男友半开玩笑地说她很 可恶(infâme),女孩就用这句台词回答他,意思是: "me? I'm not infame, I am a female.". 法语里infâme和une femme (a women)谐音,又和片名<女人就是女人>相照应,成为Jean-Luc Godard老师这部最有灵气的电影的点睛之笔.

5.

...I knew these people... These two people. They were in love with each other. The girl was... very young, about seventeen or eighteen, I guess. And the guy was... quite a bit older. He was kind of raggedy and wild. And she was very beautiful, you know? And together, they turned everything into a kind of adventure, and she liked that. Just an ordinary trip down to the grocery store was full of adventure. They were always laughing at stupid things. He liked to make her laugh. And they didn't much care for anything else because all they wanted to do was to be with each other. They were always together...

英语,美国口音.来自德国导演Wim Wenders的<Paris,Texas>,片中有一段著名的八分钟长的告白,一段非常令人心碎的台词,这里是开头的一部分,大家可以在这里看到这个场景的原文剧本.

http://perso.wanadoo.fr/

...An American naturalist wrote, "a patriot must always be ready to defend his country against its government." Well, I'd hate to be in your shoes today. You have a lot to think us in this courtroom thought that justice came into being automatically, that virtue was its own reward, that good would triumph over evil. But as we get older we know that this just isn't true. "The frontier is where a man faces a fact." Individual human beings have to create justice and this is not easy because truth often presents a threat to power and we have to fight power often at great risk to ourselves. People like Julia Ann Mercer, S.M.Holland, Lee Bowers, Jean Hill, and Willie O'Keefe have come forward and taken that risk. (he produces a stack of letters) I have here some $8000 in these letters sent to my office from all over the country - quarters, dimes, dollar bills from housewives, plumbers, car salesmen,teachers, invalids ... These are the people who cannot afford to send money but do, these are the ones who drive the cabs, who nurse in the hospitals, who see their kids go to Vietnam. Why? Because they care, because they want to know the truth - because they want their country back, because it belongs to us the people as long as the people got the guts to fight for what they believe in! The truth is the most important value we have because if the truth does not endure, if the Government murders truth, if you cannot respect the hearts of these people ... then this is no longer the country in which we were born in and this is not the country I want to die in ... And this was never more true than for John F. Kennedy whose murder was probably the most terrible moment in the history of our country. You the people, you the jury system, in sitting in judgement on Clay Shaw, represent the hope of humanity against Government power. In discharging your duty, in bringing the first conviction in this house of cards against Clay Shaw, "Ask not what your country can do for you, but what you can do for your country." Do not forget your young President who forfeited his life. Show the world this is still a government of the people, for the people, and by the people. Nothing as long as you live will ever be more important. It's up to you.

英语,标准美国口音.这是出现在Oliver Stone的影片<JFK>的结尾部分的长达半小时的法庭呈述,选取了最后的大约四分之一,也就是情绪最激昂的一部分.通过对肯尼迪事件的层层剖析,Oliver Stone提出了他对美国人政治生活压抑多年的诸多反思.这是一部绝对严肃的影片,背景极深,最后的那段呈述尤其令人肃然起敬,那句"a patriot must always be ready to defend his country against its government.(一个爱国者愿意为了保护他的国家而不惜和政府对抗)"更像是导演Oliver Stone本人的写照 .这里可以找到完整的剧本.

http://sfy.ru/sfy.html?script=jfk

7.

I like these calm little moments before the storm, It reminds me of Beethoven.

英语,恶心的陶醉状的美国口音.来自Luc Besson的<Léon>.童话般的故事需要一位坏到骨子里但又不令人生厌,甚至有些可爱的反面人物,Gary Oldman完美地完成了他的表演任务.他演的那位热爱音乐的坏蛋在即将杀掉别人一家以前突然停下来,说自己很陶醉于这"暴风雨前的小宁静",这宁静还让他想起了贝多芬...个人觉得这个反面角色甚至比主角莱昂更有魅力.

Tu m'as dit je t'aime, Je t'ai dit attends. j'allais dire prends moi, Tu m'as dit va-t'en.

法语.来自François Truffaut的<Jules et Jim>.单独地看平淡得近乎俗气,看过影片才觉得这句话非常有意思,很符合电影的节奏,也很符合的Jeanne Moreau的精彩表演,而且对于Truffaut本人来说,这句与众不同的电影开场白甚至有些宣言似的意义!

...It wasn't him, Charlie. It was you. You remember that night in the Garden you came down my dressing room and said. 'Kid, this ain't your night. We're going for the price on Wilson.' You 'member that? 'This ain't your night!' My night -- I coulda taken Wilson apart! So what happens? He gets the title shot outdoors on the ballpark, and what do I get? A one way ticket to Palookaville. You was my brother, Charlie. You shoulda looked out for me a little bit. You shoulda taken care of me just a little bit so I wouldn't have to take them dives for the short end money... You don't understand! I coulda had class. I coulda been a contender. I coulda been somebody -- instead of a bum, which is what I am. Let's face it. It was you, Charlie.

英语,美国口音.这一大段平淡里带着巨大的张力的台词来自Marlon Brando在<On th Waterfront>里令人难忘的表演,后来Robert DeNiro在<Raging Bull>里以同样令人难忘的表演重新背诵了这些句子.曾经很想把这一整段背下来,这段台词显然被Marlon Brando和Robert DeNiro赋予了魔力.

Als das Kind Kind war, war es die Zeit der folgenden Fragen: Warum bin ich ich und warum nicht du? Warum bin ich hier und warum nicht dort? Wann begann die Zeit und wo endet der Raum? Ist das Leben unter der Sonne nicht bloß ein Traum? Ist was ich sehe und höre und rieche nicht bloß der Schein einer Welt vor der Welt? Gibt es tatsächlich das Böse und Leute, die wirklich die Bösen sind? Wie kann es sein, daß ich, der ich bin, bevor ich wurde, nicht war, und daß einmal ich, der ich bin, nicht mehr der ich bin, sein werde?

德语.来自Wim Wenders的<Der Himmel Über Berlin>,一部可以和塔可夫斯基电影相媲美的作品,每一句台词我都很喜欢.这一段德语台词用的是Peter Handke的短诗,很适合那位安详的天使喃喃自语.

译成中文就有点没味道了,英文译文如下:

vous n'avez vu rien à Hiroshima, rien.
你在广岛什么都没有看到, 什么都没有.

法语.来自<Hiroshima,mon amour>,新浪潮左岸派的旗帜.来自Marguerite Duras老太太的文笔,以及Alain Resnais轰动性的导演手法.<广岛之恋>的台词很容易让人一头雾水,像梦境一般.

Are you talking to me? are you talking to me? are you talking to me...

英语,美国口音.<Taxi Driver>,那位对着镜子端起枪的年轻司机.整个电影弥漫着一种古怪的情绪,每看一次脑袋里都有不同的想象画面.应该说<Taxi Driver>和<Raging Bull>一样属于美国电影里最好的作品,或者说,对于美国那帮搞电影的来讲,本片已经差不多是他们的上限了.

Choose life. Choose a job. Choose a career. Choose a family. Choose a fucking big television, Choose washing machines, cars, compact disc players, and electrical tin openers. Choose good health, low cholesterol and dental insurance. Choose fixed- interest mortgage repayments. Choose a starter home. Choose your friends. Choose leisure wear and matching luggage. Choose a three piece suite on hire purchase in a range of fucking fabrics. Choose DIY and wondering who you are on a Sunday morning. Choose sitting on that couch watching mind-numbing sprit- crushing game shows, stuffing fucking junk food into your mouth. Choose rotting away at the end of it all, pishing you last in a miserable home, nothing more than an embarrassment to the selfish, fucked-up brats you have spawned to replace yourself. Choose your future. Choose life... But why would I want to do a thing like that? I chose not to choose life. I chose something else. And the reasons? There are no reasons. Who needs reasons when you've got heroin?

英语,苏格兰口音.<Transpotting>,猜火车,无聊的游戏,无聊的人生,无聊的游戏人生...有趣.

Connie:
Oh! I love you, Raymond! I love you more than anything in this whole world. I love you even more than my own filthiness...more than my hair color. oh, God. I love you more than the sound of bones breaking...the sounds of dealth rattle! Even...even more than my own shit...do I love you, Raymond!

Raymond:
And...and I, Connie, also love you... more than anything that I could ever imagine. More than my hair color! More than the sound of babies crying... of dogs dying. Even more than the thought of original sin itself. Oh! I am yours, Connie, eternally united to you... through an invisible cord of finely woven filth... that even God himself could never, ever break.

英语,恶心的模仿英格兰口音的美国口音.最后还想提到这段有些可恶的对话,它们来自John Waters那部臭名昭著的<Pink Flamingos>.相对于电影而言这段台词温和多了,更能体现出John Waters的怪才气质.